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STUDIO HERONDALE is a body of experimental porcelain jewellery created by London-based designer Elif Kaban Bowers. The Turkish-born maker marries worldly panache with a passion and respect for porcelain and cross-disciplinary experimental approach. Once associated with dainty figurines of pouting milkmaids and Victorian tea sets, porcelain in her hands is transformed into sublime wearable art with exciting combinations of silver, copper, 24 karat gold leaf, platinum, oxides, minerals, gemstones or found objects.

Valued for both its durability and delicacy, porcelain is transformed from earth into powder, from liquid into solid, from fire into cold and finally into a velvet-like softness next to skin that takes on the temperature of the body. The jewellery is light and tactile, with the smoothness of pebbles worn by the sea. Each piece is made slowly and intuitively and fired multiple times in the kiln. There is something delicious about wearing a tactile, sensuous piece of raw porcelain jewellery whose making took all the hours and days and nights it needed  -- a sense, perhaps, of having been gifted stolen time.

Elif came into jewellery and ceramics through osmosis. Born in Turkey to Air Force pilot parents, she spent many years zipping across Russia, Central Asia, Africa and the Middle East as a foreign correspondent for the international news agency Reuters. Even in the middle of reporting assignments she was always drawn to jewellery, collecting ancient corals in the bazaars of Samarkand, silver amulets in Turkmenistan or strings of colourful beads in dusty village markets across Tanzania. Keepsakes collected during summers in the Mediterannean, civilizations that have passed through Anatolia from ancient Greeks to the Ottomans, textures and patterns in nature, the never-ending search for new techniques and a sense of discovery drive and inspire the designer.

 

 

The-Cufflink-Alchemist.gif

STUDIO HERONDALE is a body of experimental porcelain jewellery created by London-based designer Elif Kaban Bowers. The Turkish-born maker marries worldly panache with a passion and respect for porcelain and cross-disciplinary experimental approach. Once associated with dainty figurines of pouting milkmaids and Victorian tea sets, porcelain in her hands is transformed into sublime wearable art with exciting combinations of silver, copper, 24 karat gold leaf, platinum, oxides, minerals, gemstones or found objects.

 

 

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Valued for both its durability and delicacy, porcelain is transformed from earth into powder, from liquid into solid, from fire into cold and finally into a velvet-like softness next to skin that takes on the temperature of the body. The jewellery is light and tactile, with the smoothness of pebbles worn by the sea. Each piece is made slowly and intuitively and fired multiple times in the kiln. There is something delicious about wearing a tactile, sensuous piece of raw porcelain jewellery whose making took all the hours and days and nights it needed  -- a sense, perhaps, of having been gifted stolen time.

Elif came into jewellery and ceramics through osmosis. Born in Turkey to Air Force pilot parents, she spent many years zipping across Russia, Central Asia, Africa and the Middle East as a foreign correspondent for the international news agency Reuters. Even in the middle of reporting assignments she was always drawn to jewellery, collecting ancient corals in the bazaars of Samarkand, silver amulets in Turkmenistan or strings of colourful beads in dusty village markets across Tanzania. Keepsakes collected during summers in the Mediterannean, civilizations that have passed through Anatolia from ancient Greeks to the Ottomans, textures and patterns in nature, the never-ending search for new techniques and a sense of discovery drive and inspire the designer.

 

 

Family Legacy

Elif comes from a family of pioneering women who were pathfinders in society. Growing up in 1950s Turkey, both her mother and her aunt cut through social and religious barriers to become fighter pilots in the Turkish Air Force. In her own way, the designer has carried some of that energy forward to find her own inspiration in jewellery and ceramics.